Tag: Oil Paint

  • Watercolor Life Study Transformed into Oils

    I see that there is a direction. The direction is to first use watercolors and capture the moment. The images I create with watercolor can become studies or elaborate notan imagery for a more comprehensive oil painting. This happened with the watercolor below. It was rendered in the studio life study that the BCAC offers 2 times a month with a live model. Winsor & Newton Professional Watercolors used: Rose Madder Genuine, Scarlet Lake, Genuine Alizarin Crimson, Lemon Yellow, Raw Sienna, Burnt Umber, Viridian, Hooker’s Green, Cobalt Blue, and Antwerp Blue.

    Life Study
    Watercolor Life Study

    The next image is the result of using the above watercolor to broaden and reimagine it with the use of oil paints. This work can be done outside of the rigors of the group setting with time constraints and comfort levels lifted from the structured limits of a class. The artist is freed to explore a more open interpretation of the subject. Colors used with oils are Winsor & Newton’s Professional Artist oils: Permanent Rose, Cadmium Scarlet, Indian Red, Cadmium Lemon, Cadmium Yellow, Yellow Ochre, Burnt Sienna, Winsor Green (Phthalo), Winsor Blue (Red Shade), Prussian Blue, Ivory Black, and Titanium White.

    Oil Figure
    Figure done in oil paints
  • Time to Put Away All the Toys

    I’ve been playing with multiple mediums on and off all the time. I think the time for experimentation is over. It has come to my attention and my internal clock that I really need to concentrate on oil painting. The new color idea of Permanent Mauve, Raw Sienna, Raw Umber (Green Shade) and Underpainting White is really cool, but my traditional French easle with the oil palette, Permanent Rose, Cadmium Scarlet, Indian Red, Cadmium Lemon, Cadmium Yellow, Yellow Ochre, Burnt Sienna, Viridian, Winsor Blue (Red Shade), Prussian Blue, Ivory Black and Titanium White is the real deal. Plein aire, alla prima or studio layering is where it is at. I would and do use the mix of medium 1 part linseed oil, one part damar, 5 parts turpentine and a few drop of a cobalt siccative. In addition, an oil primed canvas preferably 12oz cotton duck with a good variety of hog hair bristle brushes are the methods used to make the paintings. These ideas are timeless and very traditional. It is time to make use of this as a habit and not just an off artistic remark.

    Time to put away all the toys.

  • Just a Bit of Review

    Thought I would present a video I took many years ago. The beginning of this video shows the palette I use for oil painting. The only modification to the original palette was to replace Winsor Green (Blue Spectrum) with Viridian. My reason was that Winsor Green (Blue Spectrum) was too potent a color and dominated too much. Viridian is the same value of green, but with far less intensity and does not dominate as greatly. The rest of the video documents my attempt at completing a self-stretched canvas isolated with a coat of Rabbit Skin Glue and once dried primed with Winsor & Newton Oil Primer with Alkyd Resin as the binder. The pigment suspended in this mixture is Titanium Dioxide. I finished the surface with a coat of Cadmium Red Light Hue from Winsor & Newton Griffin Alkyd Resin. Thank you for your interest.

  • Shellac + Oil Paint = Inking Solution

    I wonder if it is possible to make my own inking solution using shellac and an oil paint such as Raw Umber? The ink made would become the under drawing for a finished oil painting.

  • Melancholy Gold

    Life Study BCAC
    Melancholy Gold 12″X16″ on Arches Huile oil paper using Winsor & Newton Artist oil

    This image is originally from a life study worked on at the BCAC, Broome County Arts Council, in Binghamton, NY. The original drawing was completed on 12″X16″ Arches Huile 140 lb. oil paper, which was toned using Winsor & Newton Artist Oil Raw Umber. The medium for the drawing was Coates vine charcoal. Once the drawing was prepared during the life study on site, the piece was completed in oil paints in the studio. Winsor & Newton Artist grade oil paints were used to create the above image. The colors I used were Permanent Rose, Cadmium Scarlet, Indian Red, Cadmium Lemon, Cadmium Yellow, Yellow Ochre, Burnt Sienna, Viridian, Winsor Blue (Red Spectrum), Prussian Blue, Ivory Black and Titanium White.

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